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Practical guide

Creator Gear Insurance Guide

Your camera, lenses, lights, audio kit, laptop and drone stop being household possessions the moment you use them for paid work. A home contents policy is unlikely to follow them there, and the gap only becomes visible at the point of a claim.
Researched guide
Last checked 16 August 2026
Written for UK creators
Education, not insurance advice

Before you read on

This is general insurance education, not legal, tax, aviation or insurance advice. Creator Gear is not a broker and is not regulated by the Financial Conduct Authority. Cover, exclusions, limits and eligibility vary between insurers and change without notice, and the policy wording always controls. Check your own situation with an FCA-authorised broker or insurer, and check any firm on the FCA Register before you buy.

The short answer

Almost none of this is compulsory. Two things genuinely are, and the third is the one creators trip over.
Cover
Legally required in the UK?
What actually forces it
Equipment / all risks
No
Kit houses will not release gear without it; studios ask for a certificate
Public liability
No, with one exception
Councils, parks and rail operators refuse filming permits without it
Employers’ liability
Yes, the moment you have an employee
Employers’ Liability (Compulsory Insurance) Act 1969
Drone third-party liability
Yes, once flying stops being purely recreational
Assimilated Regulation (EC) 785/2004
Professional indemnity
No, not for this trade
Client contracts, broadcasters and distributors

The one that catches sole traders

Employers’ liability is not just for businesses with staff on payroll. Hiring a second shooter or an assistant for a single day can trigger it, and the offence under section 5 of the 1969 Act is committed per day. See the employers’ liability section below for the actual test.

Why your home insurance probably will not cover it

Home contents policies are written around household goods and administrative home working. Two things usually break the cover at once: the kit is characterised as business tools rather than contents, and the activity falls outside what the policy permits at the property.
Policy Expert’s Gold home wording (v.1124) is typical. It excludes “business stock, tools or materials” from contents, and conditions cover on the property not being used “to carry out any business activities other than office administration work”. A commercial shoot is not administration.

The business-equipment limit is the wrong shape

Where home policies do offer business cover, it is defined as office equipment and capped low. Policy Expert Gold gives up to £5,000 for any one loss, described as “office equipment, including computers, laptops, software, phones, printers… used for business purposes in relation to administration work carried out at your home”. Homeprotect, underwritten by AXA, allows £10,000 per claim but excludes business tools and stock without underwriter approval.
Neither definition naturally reaches camera bodies, lenses, lighting, gimbals or audio, and the cap is an aggregate rather than a per-item figure. Away-from-home cover is lower again: Policy Expert Gold caps unspecified personal possessions at £2,000 per item and theft from a vehicle at £1,000, with forced and violent entry required.

What happens to the claim

The mechanism is misrepresentation under the Consumer Insurance (Disclosure and Representations) Act 2012, Schedule 1. Careless misrepresentation lets an insurer avoid the policy and refuse all claims where it would not have insured you at all, or reduce the claim proportionately where it would have charged more. Deliberate or reckless misrepresentation lets it avoid the contract, refuse all claims and keep the premium.

Equipment cover, and what it is called here

If you have read American guidance you will have met the term inland marine. It has no UK equivalent as a product. We found no UK insurer or broker using it. Inland marine is a United States market classification; the same exposure is written here either as a standalone scheme product or as an all-risks section inside a commercial policy.
In the UK you are looking for “camera insurance”, “photographic equipment insurance” or, in the commercial market, “business equipment” and “portable equipment”. Brokers writing for film and television tend to call the section “owned or hired technical equipment”. All risks describes the basis of cover, meaning all perils except those excluded. It is not a product name and it is not a promise that everything is covered.

Amateur, semi-professional, professional

Scheme products are split by how much of your income comes from the work, not by turnover. Ripe and photoGuard both draw the line at 50 per cent of annual income. That matters for a creator going from nothing to a first paid job: the trigger to move product is defined on the professional page, not the amateur one, so nothing prompts you to switch.

The exclusions that catch creators out

This is where a policy is won or lost, and where the marketing page and the policy wording most often disagree. Every figure below comes from a published wording or key facts document, dated.

Kit left in a vehicle

There is no standard clause. The four shapes we found are a clock window, a duration cap, a forced-entry requirement, and a boot-versus-out-of-sight split.
Insurer or scheme
Condition
Cap
Ripe, underwritten by Hiscox (booklet 01/04/26)
Items must be in a locked luggage compartment. No cover for theft between 8pm and 6am
£5,000 unless the vehicle has a factory-fitted alarm
photoGuard (current wording)
Out of sight in an enclosed compartment, boot or luggage space; all doors and windows locked and security systems activated
Per schedule
photoGuard Pro / Pro-Flexi (11/18)
Locked luggage compartment and access must have been by forcible or violent entry
Per schedule
Assetsure
No cover once the vehicle has been unattended for more than 12 hours; forcible entry required
£5,000 per event
AXA business
Excludes theft from an unsecured vehicle or trailer; signs of forced entry required
Per schedule

Check the wording, not the landing page

Ripe’s marketing page advertises unattended-vehicle cover “up to £20k”. The key facts document dated 01/04/26 states £5,000 unless the vehicle has a factory-fitted alarm, and the marketing page does not mention the 8pm to 6am exclusion at all. This is not unique to one insurer, and it is the single best argument for reading the wording before you buy.

Storage, alarms and locks

Ripe’s Hiscox-backed wording requires external doors fitted with a five-lever mortice deadlock or a cylinder-operated deadlock, and for sums insured of £25,000 or more it requires an NSI-approved alarm set whenever the premises are unattended. It also excludes equipment stored in wooden buildings, which rules out a garden studio or shed. photoGuard excludes theft from a location left unoccupied for more than 30 consecutive days.

Where you are covered, and for how long

Territorial day counts look similar and work differently. photoGuard’s standard cover is the UK plus up to 30 days worldwide in total across the policy year. Ripe’s extended territories allow up to 60 days in any one period of insurance. Assetsure’s 30 days is per trip. An aggregate cap and a per-trip cap produce very different answers for a creator who travels often.

New for old has a cliff edge

Ripe’s 01/04/26 wording replaces as new only where the stolen item was not more than three years old, and 18 months for laptops and tablets. Beyond that, or without evidence of ownership, settlement drops to indemnity value. photoGuard’s 11/18 Pro wording sets an explicit depreciation scale for laptops of 25 per cent over 18 months and 50 per cent over 36 months, while its marketing states that equipment is not depreciated. AXA’s business equipment cover pays market value with fixed depreciation by default.

Single-article limits and the specification trap

Ripe applies a £10,000 single-article limit and requires any item over £3,000 to be listed individually on the schedule. One fast telephoto or one flagship body clears £3,000 comfortably. If it is not itemised, it is not specified, and a claim on it is not the claim you thought you had.

Underinsurance is applied by average

Ripe’s wording states that where sums insured are insufficient, the claim “will be proportionately reduced by the amount of any under-insurance”. Insure £12,000 of kit for £8,000 and you are not simply capped at £8,000 — a £3,000 claim can be cut by a third. Revalue your schedule when you buy something significant, not at renewal.

Excesses, and what is simply not covered

photoGuard publishes £100 for claims under £10,000 and £200 above, with an extra £100 in each band where a drone is involved. Assetsure charges £100 for amateurs and £250 for professionals. AXA applies 10 per cent of the claim, minimum £250 and maximum £500, so larger claims cost more to make.
Two exclusions are worth naming because they surprise people. Loss, as opposed to theft, is not universal: Ripe covers theft and accidental damage only, while Assetsure explicitly includes loss. And consumer policies routinely exclude drones used commercially — photoGuard states plainly that drones and UAVs are not covered while being used for business or commercial purposes.

Public liability, and who actually demands it

Public liability is not required by general law in the UK. The Association of British Insurers notes it is compulsory only for horse riding establishments. In practice you will be asked for it constantly, because it is the condition on which permits and venue access are granted.
Who is asking
Limit required
Film London — street filming and commercial photography
£2m, rising to £5m at some locations
Lambeth Council film permits
£5m standard, £10m for commercial event spaces and parks
The Royal Parks
£5m per occurrence, £10m for large-scale production
City of London — Hampstead Heath
£5m minimum
Canal & River Trust
£5m, plus separate drone insurance, CAA permission and a flight plan
Network Rail commercial filming
Up to £10m, banded by production size, denominated in sterling
National Trust for Scotland
£2m for productions, £2m separately for drone operators
The pattern is consistent. Two million pounds is the floor for street work and smaller heritage sites, five million is the working standard for council permits and public open spaces, and ten million is triggered by scale. One million is a common insurer default but was not required by any permit-issuing body we checked.

Employers’ liability: the compulsory one

This is the only cover in this guide that carries a criminal penalty for going without, and it is the one a sole trader is most likely to trigger by accident.
  • The duty comes from the Employers’ Liability (Compulsory Insurance) Act 1969, and applies in England, Scotland and Wales.
  • The minimum is £5 million in aggregate for claims arising out of any one occurrence, under regulation 3(1) of SI 1998/2573. Most policies sold offer £10 million.
  • Section 5 makes it an offence to be uninsured on any day, with a fine up to level 4 on the standard scale — £2,500 per day. Failing to display or produce the certificate carries up to £1,000.
  • Because the offence is constituted per day, a single uninsured shoot day is a completed offence.

When does a creator trigger it?

The duty attaches to having an employee, defined in section 2(1) as someone working under a contract of service. The Health and Safety Executive’s guidance (HSE40) says what matters is the real nature of the relationship and the degree of control you have. Its employee indicators are that you deduct tax and National Insurance, you control where, when and how the work is done, you supply the equipment, the person cannot send a substitute, and they are treated like your other staff.
The insurance market draws the same line as bona fide subcontractor versus labour-only subcontractor. A second shooter who invoices you, brings their own bodies and glass, carries their own liability cover, works for other photographers and could send a substitute reads as bona fide. One you direct all day, whose kit you supply, who cannot substitute and who works only for you does not.

The day assistant is the sharp edge

A casual assistant hired for one day, working to your direction, using your equipment, unable to send a substitute, is very likely an employee for that day. The ABI lists casual workers, temporary personnel and labour-only subcontractors among those an employers’ liability policy covers. If you have ever paid someone cash to hold a light for an afternoon, this section is about you.

Two exemptions worth knowing

Section 2(2)(a) exempts close family members — but HSE is explicit that this exemption does not apply once the family business is incorporated as a limited company. Separately, a company with only one employee who also owns 50 per cent or more of the issued share capital is exempt, under Schedule 2 paragraph 15 of SI 1998/2573 as inserted in 2004. A one-person limited company with a sole director-shareholder therefore falls outside the Act; a sole trader with no employees never engages it at all.
One small point in your favour: because employers’ liability is compulsory insurance, the Financial Services Compensation Scheme protects 100 per cent of a valid claim if the insurer fails, against 90 per cent for other general insurance including public liability.

Professional indemnity, media liability and product liability

Professional indemnity is not legally required for photography or videography, which are not regulated professions. It is what answers a claim that the work itself was defective: footage corrupted, a delivery missed, a wedding not covered, a brief not met.
Media liability is the part creators underestimate. It covers defamation, copyright and intellectual property infringement, breach of confidence and privacy, and errors in published content. Some insurers bundle it into professional indemnity automatically; others do not. Markel’s photographers’ wording expressly excludes patents, misappropriation of trade secrets and deliberate breaches of confidentiality, so “IP is covered” is never a safe assumption.
Limits offered run from £50,000 to £5 million. Markel suggests £50,000 may be enough at the start and notes £1 million is among the most popular. We could not find a single named broadcaster, agency or public-sector buyer publishing a minimum for freelance creators, so treat “£1 million is standard for corporate clients” as a broker claim rather than a rule.

If you sell merchandise, presets or LUTs

Under the Consumer Protection Act 1987 strict liability attaches not only to the manufacturer but to the own-brander — anyone who puts their name or trade mark on a product — and to the importer. A creator selling branded merch made by someone else is an own-brander. Note that the packaged creative policies we looked at, from Markel, PolicyBee and Superscript, do not list product liability on their photographer and videographer pages at all.

Digital products are unsettled law

Section 1(2) of the 1987 Act defines a product as “any goods or electricity”, which does not obviously include a preset pack or a LUT. The Law Commission began reviewing the Act in September 2025, expressly covering digital products, with public consultation planned for the second half of 2026. In the meantime, section 46 of the Consumer Rights Act 2015 gives a consumer a direct remedy where supplied digital content damages their device or other content.

Hired-in equipment: the one rental houses insist on

The UK term is hired-in equipment, sometimes hired-in plant. When you sign a hire agreement you become responsible for the kit from collection to return, and cover for your own equipment does not extend to it.
This is the requirement that genuinely forces equipment insurance on a creator. Cameraworks, a UK rental house, requires hired-in cover on every rental and offers its own damage waiver only for hires valued at £30,000 or less and 28 days or fewer, conditional on the kit never being left unattended or in vehicles and being locked in a secure building overnight. Above those thresholds you must produce external insurance covering the dates and the full value.
The piece most often missed is continuing hire charges: if you damage rented kit, the hire company loses the income it would have earned while the item is repaired or replaced, and the agreement usually makes that your liability too. Specialist policies include a set number of weeks of loss-of-hire fees as standard. Note also that this is a different thing from the “replacement equipment hire” benefit on consumer policies, which pays for you to rent a stand-in after your own kit is stolen.

Drones: where insurance stops being optional

Drone cover is the one area in this guide where a legal requirement bites at a point most creators will cross without noticing. The rules also changed materially at the start of 2026, so older guidance is actively misleading.

Registration, as it stands now

Since 1 January 2026 you need a Flyer ID for anything from 100g upwards, and an Operator ID for anything from 100g upwards that has a camera. In practice that means every camera drone on the market, including the sub-250g class, now needs both. The old shorthand that sub-250g drones need no Flyer ID is out of date. An Operator ID costs £12.34 and lasts one year; a Flyer ID is free and lasts five. You must be 18 to hold an Operator ID.

The insurance rule

The instrument is Regulation (EC) 785/2004, now assimilated UK law. Article 2(2) exempts model aircraft under 20kg, and the CAA reads that exemption as attaching to recreational flying. The Drone and Model Aircraft Code (CAP2320, March 2026) puts it this way:

The CAA’s own words

“If you fly a drone or model aircraft that weighs less than 20kg for fun, recreation, sport, or as a hobby, you can choose whether or not to have insurance. If you fly for any other reason, you must have third party liability insurance.” Its examples include getting paid to take pictures or record video. If your aircraft is 20kg or more, insurance is required whatever you use it for.
Note the shape of that test. It is a residual one — anything that is not fun, recreation, sport or hobby — rather than a narrower test of whether money changed hands. The CAA uses a “commercial reason” formulation on one page and the residual formulation on two others.
The minimum cover is set by Article 7. Every consumer and prosumer drone falls in the first band, under 500kg, requiring 0.75 million Special Drawing Rights. Using the IMF rate published for 14 August 2026, one SDR was worth about £1.01, so the floor was roughly £758,000. The commonly sold £1 million limit clears it at current rates, but the SDR floats daily and a weaker pound narrows the margin. Article 4 also requires cover for war, terrorism, hijacking, sabotage and civil commotion, which is precisely why a general public liability policy does not satisfy the Regulation.

Does monetised content count? Nobody official has said

This is the honest answer, and it is worth stating plainly because a great deal of published guidance pretends otherwise. We could not find any CAA statement — on its website, in CAP2320, or in its scheme of charges — that mentions YouTube, monetisation, ad revenue, affiliate income, sponsored content or content creation. The CAA’s worked examples are all paid photography, paid surveys, delivery, and work on a farm, park or estate.

There is no published revenue threshold

None. Not in CAA guidance, not in 785/2004, not in the Civil Aviation (Insurance) Regulations 2005. Where you see a figure quoted, check what it actually is. FPV UK includes commercial cover capped at £15,000 of drone work per year within its membership — that is one insurer’s underwriting limit, and it is the number most likely to be misreported as a legal threshold. It is not one.

The membership-policy trap

Model flying association membership often includes substantial public liability, and creators assume it covers them. The BMFA’s members’ insurance excludes “any form of flying for trade or commercial enterprises, whether paid or unpaid”, and separately excludes professional, semi-professional or sponsored activity. Read literally, filming sponsored content on a club policy may fall outside cover even on a flight nobody paid you for. Commercial cover requires a separate membership extension.
Consumer camera policies have the mirror-image gap: photoGuard states that drones and UAVs are not covered while being used for business or commercial purposes, and AXA does not cover drone hull damage at all.

If it goes wrong

Under the Civil Aviation (Insurance) Regulations 2005, failing to comply with the Article 4 insurance requirements is an offence, carrying a fine on summary conviction or, on indictment, a fine or up to two years’ imprisonment. The authority may also detain the aircraft. If you hold a PDRA01 Operational Authorisation — which costs £524 a year and is the usual route for flying a drone over 250g in a built-up area — holding 785/2004-compliant insurance is a condition of it, and the CAA runs targeted compliance assessments at any point in the 12-month term, with 28 days to produce evidence before suspension.
We could not find any CAA statement on whether previous uninsured commercial flying is weighed in a later authorisation application, or how it affects an insurer’s handling of a claim. We are not going to guess.

Data protection: the £52 nobody mentions

If you process personal data as a business or sole trader you must pay a data protection fee to the Information Commissioner’s Office unless you are exempt. The tiers were raised on 17 February 2025.
Tier
Fee
Test
Tier 1 (micro)
£52, or £47 by direct debit
Turnover up to £632,000 or 10 staff or fewer
Tier 2
£78
Turnover up to £36m or 250 staff or fewer
Tier 3
£3,763
Everything else
The tests are disjunctive: meeting either the turnover or the headcount limb qualifies you. Any guidance that reads them as “and” is wrong. A self-employed creator sits in Tier 1.
Whether you are exempt is genuinely unclear for this trade. The exemption covers processing only for staff administration, marketing your own business, and accounts and records. Holding client photographs and footage to deliver a service does not obviously sit in any of those, which would make the fee payable — but the ICO’s own sector page for professional and technical activities does not mention photographers or videographers, and no ICO source we found addresses the point. Use the ICO’s self-assessment tool rather than anyone’s article, including this one. Note also that any business using CCTV for crime prevention must pay regardless.
Flying a camera drone adds a second layer. The ICO expects organisations using drones to treat themselves as controllers for personal data captured, to complete a data protection impact assessment, to avoid continuous recording unless justified, and to give notice by signage or an accessible privacy notice. As with the insurance question, the ICO has not published where a monetising creator crosses out of the household exemption.

Sole trader or limited company

A sole trader has unlimited liability: you are personally responsible for the debts of the business, so an uninsured liability claim reaches your personal assets. A limited company is legally separate, and owners are responsible only up to the value of their investment.
On compulsory insurance specifically, incorporating changes three things. The family-member exemption from employers’ liability is lost. A new exemption becomes available for a company with a single employee who owns at least half the shares. And a sole trader with no employees has no duty at all. Public liability, professional indemnity and product liability are driven by what you do and what your contracts say, not by your structure — every permit requirement above applies to a sole trader and a company alike.

What to ask before you buy

Take this list to a broker. Every question comes from something in this guide that varies between products.
  • What exactly is the unattended-vehicle condition — a time window, a duration cap, or forced entry only? Is there a separate cap?
  • Is loss covered, or only theft and accidental damage?
  • What is the single-article limit, and above what value must an item be specified individually?
  • Is settlement new-for-old, and at what age does it drop to indemnity value?
  • Is average applied for underinsurance, and how do I revalue mid-term after buying something?
  • Are the territorial days aggregate across the year, or per trip?
  • What are the premises security warranties — lock specification, alarm, and any sum-insured trigger?
  • Is drone use covered, and does that change the moment the flying stops being recreational?
  • Does the policy include hired-in equipment, and does it include continuing hire charges?
  • Does the drone liability section meet Regulation 785/2004, including war, terrorism, hijacking and civil commotion?

Check the register, not the logo

Anyone arranging insurance for you should be authorised by the Financial Conduct Authority. Firms publish a reference number, but we found at least one broker displaying a Companies House number where an FCA number would be expected. Look the firm up on the FCA Register yourself before you hand over anything.

How we researched this

This is a Researched guide. Creator Gear does not sell, arrange or advise on insurance, holds none of the policies described, and has not made a claim under any of them. Nothing here is a test result or an experience of ours.
Where a figure carries legal force we took it from legislation.gov.uk, gov.uk, the HSE, the ICO or the CAA rather than from a broker. Where a figure describes a product we took it from a published policy wording or key facts document and named the version and date, because marketing pages and wordings frequently disagree and the wording is what pays. Where we could not verify something we have said so on the page rather than smoothing it over.
Insurance terms move. Every wording cited here was current when we checked on 16 August 2026, and several were already superseded versions when we found them. Treat any specific figure as a prompt to check the current document, not as a fact with a long shelf life.

Not insurance advice

Creator Gear is a publication, not a broker, and is not FCA authorised. This guide explains how UK cover is structured so you can ask better questions. The policy wording, and an authorised broker, decide your answer.

Frequently asked questions

The questions creators ask most often, answered from the legislation and the wordings rather than from sales pages.
Not to own or use equipment. You must hold employers’ liability insurance from the moment you have an employee, and third-party liability insurance once drone flying stops being purely recreational. Everything else is required by contracts, permits and rental agreements rather than by law.
Usually not. Home wordings typically exclude business tools and restrict activity at the property to office administration, and their business-equipment cover is defined as office equipment with a low aggregate cap. Answering the “business use” question inaccurately also exposes you to the remedies in the Consumer Insurance (Disclosure and Representations) Act 2012.
It might. The test is the real nature of the relationship: who controls the work, who supplies the equipment, whether a substitute can be sent, and whether tax is deducted. Someone who invoices you, brings their own kit and works for others is usually a bona fide subcontractor. Someone you direct all day on your equipment is closer to an employee, and the offence under the 1969 Act is committed per day.
This is the honest grey area. The CAA says insurance is required if you fly for any reason other than fun, recreation, sport or hobby, and its examples are all paid work. It has published nothing at all about monetised content, affiliate income or sponsorship, and there is no published revenue threshold in law or guidance. Ask a broker who writes drone business, and be clear about what you are actually doing.
It depends entirely on who is asking. One million is a common insurer default but was not required by any permit-issuing body we checked. Council film permits and public open spaces commonly want £5 million, and large productions or rail infrastructure can want £10 million.
If you process personal data as a sole trader or business you must pay unless exempt, and for a creator that is £52 a year, or £47 by direct debit. Whether holding client photographs falls inside the exemption is not addressed by any ICO source we found, so use the ICO’s own self-assessment tool rather than relying on an article.

Related reading

Insurance is downstream of what you buy and how you carry it. These are the natural next steps.
What Researched and Tested mean on this site, and what evidence sits behind each label.
Weight classes, class marks, the UK rules and what they mean for what you can actually film.
Storage and transport, which is where a surprising number of equipment claims begin.

Spotted something out of date?

Insurance wordings, CAA rules and ICO fees all move, and this guide is only as good as its last check. If a figure here has changed, or a policy condition reads differently in the current wording, we would rather hear about it than leave it wrong.
Creator Gear is reader-funded and independent. We are not brokers, we earn nothing from any insurer named here, and this guide carries no affiliate links.